![]() In spite of correct capture proper proportions of picture tone, the amplifier is capable sometimes to walk away from general description to specific event on the scene, almost loosing musical background from his eyes. Estimating overall character of sound Delta 6L6, you may have a feeling that creators of this amplifier did not aim to obtain generally understood harmony and balance of tones. Distinction of details, so-called Microdynamic fall good, but reproduction records with dense arrangement does not seem to be strong side of 6L6, but in the other side the guitar riffs are excellent. ![]() 6L6 characterize unquestionable dynamics, but on high volume of sound the amplifier loses his breath and it has a lack of scale. Reconstruction of dynamic seems to be better. Issues of building spaces fall like in case of E元4. Sometimes trebles impose their to much spontaneous character, keeping natural timbre of sound. In the range of highest frequencies you can hear complete and lively tone with substantial dose of energy, not always well coordinated. Continuously fall breakthrough tones are transmitted naturally, with rich shape and deep texture. The rhythm and synchronization are a little better than in E元4, thanks to this achieved very good "drive". ![]() In all time they were kept on decent standard. Along with decreasing frequency we did not observe loosing of energy and dynamics. Shapes of sounds are compact with moderate dimensions. Pitch and tone of bass is shorter than in E元4, and speed of growing and termination a little better. Low frequencies have been reproduced enough confidently and legibly. On the other hand - it concerns only some records - it can be sometimes spread and absent-minded. In general terms it is suggestive, lively, spontaneous, open, free with symptoms of flourish. ![]() Weight and consistency of tone are comparable with this what offers E元4. The contour edges are therefore more clear and a sound is drawn rather thin line. The shapes of sounds are strongly less rounded than in model E元4, with depth enough texture. ![]() With reference to natural tone you may perceive some symptoms of harsh and uncontinuity, especially while reproducing more complicated or impetuous parts of record. The range of transmitted tones is not questionable, because all frequency range is transmitted properly. Unlike to earlier tested model E元4 the colour of tone is generally subdued - rather in pastel shade. The electric system is almost identical as in other amplifiers, obviously with some changes which were necessary for proper application of stream tetrodes 6L6. They are a little lower and thicker than known and slender E元4, but shape of glass bulb is very similar to E元4 so only most perceptive or familiar with tubes persons will perceive this difference. The only visible difference are power tubes - 6L6 or 5881 (hence of this the name of this amplifier). All structural and decorative elements has been taken from model E元4 (description in AV 12/01 page 46). In spite of lower price and output power, 6L6 is a very interesting and valuable suggestion especially for people listening blues, classical music, but not only, the more so because industrial design and quality of workmanship are identical as in more expensive model.ĦL6 amplifier looks identical to other amplifiers from this producer. Delta Studio Amplifier 6L6"Audio Video" 4/2002 A tube amplifier characterized by a good 'drive' and deep sound facture.Īfter test of E元4 amplifier, we introduce the cheapest model in offer of Delta Studio, an amplifiers producer from Wrocław. ![]()
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